Danny presents an interactive family concert featuring an eclectic program of music by Philip Glass, Franz Xaver Dušek, Erik Satie, Alfredo Casella, Schubert/Heller, and Kapustin.

FREE Admission

https://eastportartscenter.org/event/april-break-arts-camp-music-chat-mini-concert-with-danny-holt/

Danny joins Margaret Irwin-Brandon for an intimate recital on period keyboard instruments at a private residence in Desert Hot Springs. Email Danny for details about this private event, which benefits Desert Hot Springs Classical Concerts: www.DHSclassicalconcerts.org

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

For tickets and more information click HERE.

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

Advanced reservations required, as seating is extremely limited. Click HERE to reserve your seat(s) and for more info.

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

Tickets and more information HERE.

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

Tickets and more information HERE.

Rarely-performed cello sonatas from the late 19th and early 20th centuries, by Ethel Smyth, Dora Pejačević, and Henriëtte Bosmans, in new arrangements for viola by Molly Gebrian.

More information HERE.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Link for tickets coming soon. Optional dinner immediately after the performance.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Tickets and more info HERE.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Open to the public, but please park on Langlois and walk into Healing Waters. Once inside the main entrance, turn left then immediately right. The clubhouse (adjacent to the pools) is on the right.

No tickets or advanced reservations required.

Cash donations at the door appreciated.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Advanced reservations required, as seating is extremely limited. Click HERE to reserve your seat(s).

Cash donations at the door greatly appreciated.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Tickets and more info HERE.

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Contact Danny to get details about this private event, which is a fundraiser for Desert Hot Springs Classical Concerts (celebrating its 10th anniversary season in 2024!)

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Showcasing “The Purple Queen”, an exquisite Steinway grand piano rebuilt by the late David Andersen: https://davidandersenpianos.com/purple-queen/

Tickets $28: https://dannyholtsonatina.bpt.me

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Cash donations accepted at the door, which support the concert series, and the church and community music programs of SFCC. 

Danny’s latest solo program traces the history of the sonatina from the 18th through the 21st centuries, highlighting an eclectic array of composers–many of whom are unknown to even the most ardent classical music fans. Shining a spotlight on lesser-known composers is one of Holt’s passions, and this program does exactly that, using the genre of the sonatina as a jumping off point. Most students of classical piano will have memories of studying sonatinas by Clementi and Kuhlau: these works have found an important place in piano pedagogy more than 200 years since they were composed. But one seldom hears these works on the concert stage. Holt’s program begins in the Classical era, with short selections by Clementi and Diabelli. Moving into the Romantic style, sonatinas by Heller, Kirchner, and Reger show how composers in the 19th century expanded the conception of what a sonatina could be. Works by Bartók, Karg-Elert, and Saygun give a glimpse of the dramatic contrasts of classical music in the 20th century. And Kapustin’s jazzy one-movement sonatina ushers in the 21st century, showing that the sonatina is still alive and well!

Desert Hot Springs Classical Concerts presents…

4handsLA — the dazzling piano duo of Steven Vanhauwaert and Danny Holt — showcases its signature virtuosic and playful style in orchestral blockbusters by Respighi, Stravinsky, and Ginastera. Both pianists have been artists-in-residence at the L.A. Musical Salon and The Harvard- Westlake School, and are also active soloists, with performances at Carnegie Hall, Walt Disney Concert Hall, the Concertgebouw, and other venues in the U.S., Europe, and Asia.

https://www.dhsclassicalconcerts.org/2023

4handsLA — the dazzling piano duo of Steven Vanhauwaert and Danny Holt — showcases its signature virtuosic and playful style in orchestral blockbusters by Respighi, Stravinsky, and Ginastera. Both pianists have been artists-in-residence at the L.A. Musical Salon and The Harvard- Westlake School, and are also active soloists, with performances at Carnegie Hall, Walt Disney Concert Hall, the Concertgebouw, and other venues in the U.S., Europe, and Asia. Sponsored by the SMC Associates.

https://www.smc.edu/community/associates/documents/spring-2023/231-Associates-postcard-Special.pdf

Danny performs an intimate and informal house concert as a benefit for Desert Hot Springs Classical Concerts (https://www.dhsclassicalconcerts.org) at a private residence in Palm Springs. Featuring works by Dušek, Clementi, Beethoven, and Koželuch performed on two 19th century pianos and a McNulty replica.

Email Danny to get on the guest list.

Danny records a special project for David Andersen pianos, highlighting a meticulously-rebuilt 19th century Steinway B by the late David Andersen.

4handsLA masterclass with Santa Monica College piano students.

Recording works by Theodor Kirchner, Stephen Heller, and Mike Garson.

Recording Sean Friar’s epic “Chrysalis” for solo piano/percussion.

Danny joins the Desert Hot Springs High School Wind Ensemble in a concert that was postponed from 2020 due to the Covid-19 pandemic.

The CalState University San Bernardino music department presents John Adams’ chamber opera “I was looking at the ceiling & then I saw the sky". Details and tickets here: https://www.purplepass.com/#229575/CSUSB_Music-Opera_Main_Stage_Performance_Night_2-CSUSB_Music_Recital_Hall-May-06-2022.html